Marissa Bode's 'Wicked' Premiere Looks Are Her Personal Introduction to the Red Carpet

For her first-ever press tour, Bode and stylist Alexandra Mandelkorn are "establishing a blueprint for the world to see."

a collage of Marissa Bode getting ready for the wicked los angeles premiere wearing a gold akanvas dress while sitting in her wheelchair
(Image credit: Dylan Perlot)

Marissa Bode'sWicked premiere outfits have been filled with clever nods to the land of Oz. She's worn silver shoes in Australia to reference the pair her character, Nessarose, wears on-screen; a timeless black dress set aside for London has flecks of Emerald City green. For the Los Angeles premiere on Nov. 9, she and stylist Alexandra Mandelkorn chose a shimmering gold Aknvas dress with metallic Jimmy Choo heels and Levian jewelry to match—their hat-tip to the Yellow Brick Road. But the most important part of Bode's Wicked premiere style isn't how she's paying homage to the movie. It's how she's representing herself.

Wicked is the first feature film Bode has starred in. She's also the first wheelchair user to play the part of Nessarose, the younger sister to Cynthia Erivo's Elphaba, in any production of the musical. As far as introductions to the movie-watching public can go, it's a monumental one.

Marissa Bode's gold sequin dress for the Wicked premiere on a hanger

(Image credit: Dylan Perlot)

Marissa Bode's gold accessories for the Wicked premiere including Jimmy Choo shoes and gold rings

(Image credit: Dylan Perlot)

Marissa Bode gets her makeup done ahead of the Wicked premiere

(Image credit: Dylan Perlot)

Her red carpet outfits are a critical part of that first impression. "Since this is her very first time doing a major press tour like this, our intention was to establish a blueprint of Marissa’s style for the world to see," Mandelkorn says. "As a queer, disabled woman, Marissa has a very unique perspective on the world and we wanted her fashion to reflect that."

In their first conversations, Bode didn't have a single answer to the question of what she gravitates toward, style-wise. "My everyday style is a bit all over the place," she says. "But in the best way—I don't like to choose a specific aesthetic. I like to try a little bit of everything."

So the pair decided not to choose a single lane. Instead, they've used the through-line of a few timeless silhouettes—and the occasionalWicked reference—to get playful with patterns and colors. "While we absolutely love the pink and green theme of the film, and knowing Cynthia [Erivo] and Ariana [Grande] would likely be leaning into those colors, we wanted to establish her own palette," the stylist says. "Bright reds, teal, black, plaids and ginghams, denims, and metallics were our focus for this run." The vision came to life with a mix of established New York designers (like Prabal Gurung and Tibi) and emerging names including Adeam, Dorothee Schumacher, and Staud. "We also wanted to incorporate brands that have done an incredible job with consistent representation on their runways, like Collina Strada," Mandelkorn adds.

a close up of Marissa Bode wearing a gold dress on her way to the Wicked premiere

(Image credit: Dylan Perlot)

Marissa Bode in her wheelchair in a hotel lobby on her way to the Wicked premiere

(Image credit: Dylan Perlot)

Bode's red carpet process also has its practical considerations: "One thing that was really important was focusing on what dresses look good and are flattering on me sitting down in a wheelchair," she explains. Some dresses have a lot of hanger appeal, but don't keep their shape in a way Bode likes when she tries them on. Experimenting with her team, taking test photos in fittings, helps her zero in on the dresses and sets that resonate on and off the rack.

The heart of the matter is choosing what feels the most like her for the given moment. "When I wear stuff, I like to wear it because I like to wear it, not necessarily because of one specific thing," she says. Her golden Aknvas gown let her tap into a fun, shimmery side she hadn't yet explored on the press tour. "I like the balance of being classy and chic, with just a little hint of coolness in there as well." Getting ready at W Hollywood for her Nov. 9 red carpet, she played up the dress's soft, golden glow with a twisted up-do by hairstylist Graham Nation, rosy cheeks and a mauve lip by makeup artist Cherish Brooke Hill, and a bubble bath manicure by nail artist Shelby Hile.

Marissa Bode sits in her wheelchair wearing a gold draped dress covered in sequins for the Wicked los angeles premiere

(Image credit: Dylan Perlot)

Marissa Bode wearing a sequin dress to the wicked los angeles premiere

(Image credit: Dylan Perlot)

Bode still has a few more stops on the Wicked press tour, including a premiere in New York City. Whichever looks she wears next, "I think a message I want to get across is that just fashion doesn't have to be this thing that should be taken too, too seriously," she says. "I think fashion should be silly and light and playful. I think having fun with that at the end of the day is the most important thing to me."

Marissa Bode in her wheelchair wearing a sequin dress ahead of the Wicked los angeles premiere

(Image credit: Dylan Perlot)

Marissa Bode looks over her shoulder in her gold Akanvas dress for the Wicked Los angeles premiere

(Image credit: Dylan Perlot)

When Wicked finally arrives in the theaters later this month, Bode wants audiences to walk away from their (first) screening with open hearts. "I'm excited for people to see various reflections of humanity in the film and very real themes that are very prevalent in the world today," she says. "And I think people can learn a lot from those themes as well, watching this film." Her red carpet journey thus far already comes with a message: True personal style is unlimited.

Halie LeSavage
Senior News Editor (Fashion & Beauty)

Halie LeSavage is the senior fashion and beauty news editor at Marie Claire, where she assigns, edits, and writes stories for both sections. Halie is an expert on runway trends, celebrity style, emerging fashion and beauty brands, and shopping (naturally). In over seven years as a professional journalist, Halie’s reporting has ranged from fashion week coverage spanning the Copenhagen, New York, Milan, and Paris markets, to profiles on industry insiders including stylist Alison Bornstein and J.Crew womenswear creative director Olympia Gayot, to breaking news stories on noteworthy brand collaborations and beauty launches. (She can personally confirm that Bella Hadid’s Ôrebella perfume is worth the hype.) She has also written dozens of research-backed shopping guides to finding the best tote bags, ballet flats, and more. Most of all, Halie loves to explore what trends—like the rise of doll-like Mary Janes or TikTok’s 75 Hard Style Challenge—can say about culture writ large. (She justifies almost any purchase by saying it’s “for work.”) Halie has previously held writer and editor roles at Glamour, Morning Brew, and Harper’s Bazaar. Halie has been cited as a fashion and beauty expert in The Cut, CNN Underscored, and Reuters, among other outlets, and appears in newsletters like Selleb and Self-Checkout to provide shopping recommendations. In 2022, she was awarded the Hearst Spotlight Award for excellence and innovation in fashion journalism. She holds a Bachelor’s Degree in English from Harvard College. Outside of work, Halie is passionate about books, baking, and her miniature Bernedoodle, Dolly. For a behind-the-scenes look at her reporting, you can follow Halie on Instagram and TikTok.