Why Celebrity Halloween Costume Photos Are Secretly the Season's Best Tradition
We're living in the golden age of A-list costumes and one-day-only editorials. Frankly, I'm not sure how we ever spent the holiday without them.
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As far back as the history of image-making goes, the rich and famous have been commissioning great artists to capture their likeness. If you were a nineteenth century society beauty trying to impress your friends, you probably would've called upon a portraitist like John Singer Sargent to paint you in quiet repose. Now, if you're a celebrity or an influencer gunning for It-girl status in the digital age, you're likely spending at least part of every year planning an elaborate Halloween photo shoot with a professional photographer like Amber Asaly, Greg Swales, Jacob Webster, or Edwig Henson.
Kylie Jenner as Barbarella, photographed for Halloween 2024.
To be clear, I'm not talking about the obligatory photos celebrities take on the step-and-repeat outside Heidi Klum's annual Halloween bash, or the candids they snap with their kids before trick or treating. I'm talking about the Halloween glamour shots they book to showcase especially transformational looks—many of which are custom, designer, and intended to come off just as soon as they go on.
Henson has been dreaming up eye-popping Halloween costume shoots with "Have Mercy" singer Chlöe Bailey since 2021, when his renderings of Bailey as Betty Boop and Lola from Shark Tale racked up more than a million likes each.
"It's almost like a competition to top yourself and see who can do it best," Henson says of the trend. "All the celebrities gotta pop out or it's not giving. I know it's all a friendly game, but the girls really go in on this."
Chlöe Bailey dressed as Lola from Shark Tale and Betty Boop, lensed by Edwig Henson in 2021.
Chlöe Bailey as Lola Bunny from Looney Tunes and Storm from X Men, both lensed by Edwig Henson in 2022.
Like so many trends, the celebrity Halloween photo shoot tradition seems to have originated with Kim Kardashian. And more specifically, her 2019 triple-costume turn as Elle Woods from Legally Blonde, Betty Rubble from The Flintstones, and a giant glow-worm. Hailey Bieber's annual Halloween portraits, which she's been taking with Asaly since 2020, have seen her shape-shift into Britney Spears, Carmen Electra from Scream, and Cady Heron from Mean Girls.
Kim Kardashian as a glow worm, photographed for Halloween 2019.
For Jacob Webster, shooting Doja Cat's Halloween costume portraits in 2021 led to becoming her full-time photographer today—a "breakthrough" for his career. He's since expanded his Halloween portfolio to include the likes of Megan Fox in costume as Pamela Anderson, Keke Palmer as the Bride of Frankenstein, and Saweetie as Y2K Baby Phat ad-era Kimora Lee Simmons.
"From working with various artists, I've noticed Halloween is a time for them to step outside their usual roles," Webster explains. "It’s a chance to let loose and have fun in ways they might not be able to in their professional lives. Many celebrities use Halloween to experiment with ideas they've always wanted to try or to pay homage to iconic pop culture moments that shaped them as artists."
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Saweetie as Kimora Lee Simmons, photographed by Jacob Webster in 2023.
Doja Cat as an Animal Crossing villager, photographed by Jacob Webster in 2022.
Many celebrities use Halloween to experiment with ideas they've always wanted to try or to pay homage to iconic pop culture moments that shaped them as artists.
Megan Fox and Machine Gun Kelly as Pamela Anderson and Tommy Lee, photographed by Jacob Webster in 2022.
Keke Palmer as Bride of Frankenstein, photographed by Jacob Webster in 2023.
Webster initially noticed a spike in demand for Halloween shoots after pandemic restrictions on party-going challenged celebrities to commemorate the holiday in a different way. The reason they've stuck around is more nuanced.
In a world where aesthetics across both beauty and fashion are being flattened at every turn, Halloween offers a rare chance for celebrities to exercise total creative autonomy. And what they do with that freedom feels more telling—and strangely, more real—than any red carpet look ever has.
Maybe, at their core, the most beautiful women in Hollywood just want to be worms and bugs for a night.
Janelle Monae as ET lensed by Pol Kurucz and Early Morning Riot for Halloween 2024.
Hanna Lustig is a staff writer at Marie Claire, where she gets to gab every day about the topics she holds most dear: fashion, beauty, and celebrity. Hanna’s editorial journey began with formative internships at Elle and InStyle, where she was lucky enough to work for some of the smartest women in media while she was still in college at the University of Tennessee. Hanna then accepted a digital culture reporting fellowship at Insider, where she helped carve out a new beat dedicated to covering influencers. Those experiences later served her well as a staff writer at Glamour, where she developed a knack for spinning quick turnaround celebrity news and trend reporting into juicy feature stories. Some of her greatest hits include an earnest ode to the no-pants trend, this meticulously reported feature exploring the rise of endoscopic facelifts, this snappy take on the Chanel-designed fantasy of Sofia Richie’s wedding, this tribute to WAGs past and present, and this timeline of Katie Holmes’s life and career as told through her denim collection.
Diane Keaton once hung up on Hanna during an interview, but thankfully that mishap did not derail what has otherwise been a deeply fulfilling career writing for and about women. As one of Marie Claire's resident experts on style and culture, her current coverage ranges from exploring TikTok's contrast makeup theory and the return of the boat shoe trend to interviews with costume designers for hit shows like Nobody Wants This and The Penguin. When she’s not at work, Hanna can probably be found listening to pop music, talking to her dog, and gossiping with her best friends. For more of Hanna’s perfect opinions on pop culture, you can follow her on Instagram and X.
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