The House From Netflix's 'Selling Sunset' Priced At $40 Million Is Up for Grabs

Property, House, Building, Home, Architecture, Real estate, Residential area, Estate, Swimming pool, Facade,

(Image credit: Getty Images)

published 2 April 2019

The cornerstone of the first episode of Netflix's debut docusoap Selling Sunset? The 20,000-square-foot, $40 million Hollywood Hills mansion, presented mid-construction to the Oppenheim Group team (a.k.a. the stars of Selling Sunset). Per Selling Sunset, the mansion boasts a $1.2 million commission for the agent lucky enough to sell it. It's the single biggest home in Hollywood Hills' history, according to the show—and if you have $40 million lying around, it could be yours!

The Oppenheim Group's official listing for the property, dug up by Distractify, does not include a price but does include the tagline, "Contemporary architectural masterpiece available in early 2019." We assume that means the Hillside Avenue mansion has been fully built, given that it's supposed to be available early this year—and we're in April now.

Per the show, the mansion boasts a 15-car garage (I mean, it's LA, I guess?), four hot tubs, an 150-foot pool, and its own elevator. Also, the power lines that frame the mansion's rooftop are being "dropped," whatever that means, specifically so that the lines don't get in the way of the 360-degree view—a decision that, according to Selling Sunset, cost a whopping $400,000. Because who needs power when you have four hot tubs, amirite?? (Well, okay, that might mean you need more power. But I digress!)

Though the identity of the agent handling the house is never revealed by the show, the listing is still live on the Oppenheim Group's site, so presumably it's still up for grabs (did I mention it's a steal at $40 million?). That said, Distractify notes that the nine bathrooms boasted about in Selling Sunset has been downgraded to a paltry eight, so it seems like the construction of the house hasn't entirely gone to plan.

Per the Oppenheim Group's official listing, here's the mansion in all its glory:

Property, Interior design, Architecture, Room, Building, House, Ceiling, Living room, Bathroom, Real estate,

Property, Interior design, Room, House, Architecture, Building, Furniture, Living room, Ceiling, Wall,

Property, Architecture, Building, House, Real estate, Facade, Residential area, Home, Mixed-use, Commercial building,

Property, Interior design, Room, Furniture, Living room, Building, House, Architecture, Real estate, Ceiling,

Property, Building, Architecture, Real estate, House, Interior design, Home, Room, Condominium, Apartment,

Property, Architecture, Interior design, Building, Ceiling, Wall, Room, House, Real estate, Floor,

To be frank with you, I was thinking about buying, but now that I know it only has eight bathrooms, I'm having second thoughts, put it that way.

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Jenny is the Digital Director at Marie Claire. A graduate of Leeds University, and a native of London, she moved to New York in 2012 to attend the Columbia University Graduate School of Journalism. She was the first intern at Bustle when it launched in 2013 and spent five years building out its news and politics department. In 2018 she joined Marie Claire, where she held the roles of Deputy Digital Editor and Director of Content Strategy before becoming Digital Director. Working closely with Marie Claire's exceptional editorial, audience, commercial, and e-commerce teams, Jenny oversees the brand's digital arm, with an emphasis on driving readership. When she isn't editing or knee-deep in Google Analytics, you can find Jenny writing about television, celebrities, her lifelong hate of umbrellas, or (most likely) her dog, Captain. In her spare time, she writes fiction: her first novel, the thriller EVERYONE WHO CAN FORGIVE ME IS DEAD, was published with Minotaur Books (UK) and Little, Brown (US) in February 2024 and became a USA Today bestseller. She has also written extensively about developmental coordination disorder, or dyspraxia , which she was diagnosed with when she was nine.